In 2018, I basically forgot about this blog. Uhm. Oops?
Okay, that’s not entirely true. I remembered it was here and I did things like update the pages and wrote one or two book reviews here but I never actually published anything consistent here. (That’s going to change in 2019.)
So. What happened in 2018? Well, a lot from a certain point of view and not that much from another. (Isn’t it crazy how that works?) This was a year in which I struggled a bit especially on a personal level. 2018 taught me a lot about the friendships I had with some people and showed me which were genuine and positive forces in my life and which were (to put it bluntly) not. I won’t go into it much further but I am incredibly grateful to the friends who’ve loved me and supported me through the ups and downs I’ve had this year. (Special shout out to the friends who surprised me with my very own ID-10 droid who I love more than life itself.)
But on to the stuff you care about. Continue reading
I’ve been thinking a lot over the past two months about how I could best describe what Iden Versio has meant to me since we first met her at Celebration Orlando back in April. For ages, I couldn’t seem to find the right words. Yes, I’ve talked about representation and how important that is to me and for the other Asian and mixed-Asian women out there. Yes, at this point just about everyone has seen the IGN video where I got to talk about my love for Iden and actually meet Janina Gavankar. And yet, I still didn’t quite find the right words even though my voice jumped an octave and I cried. (And then cried again two weeks later thanks to the DLC and The Last Jedi.)
I think I finally have.
For me, watching Iden Versio have her world view shattered and then find her new place in the galaxy is how I imagine it felt for some women to watch Wonder Woman storm across No Man’s Land, to watch the lightsaber fly past Kylo into Rey’s hand, to watch Peggy Carter tell everyone that she knew her value. Continue reading
It’s been four years to the day since Star Wars fans were lucky enough to get not only a new X-Wing book but also a new book about Wraith Squadron. (Interestingly enough, if the first Wraith Squadron book were a person, it’d be preparing to go off to college right around now.) Star Wars: X-Wing: Mercy Kill was a wonderful book from the last years of the Legends universe that brought a lot of us back to the Star Wars fandom after we’d drifted away when our favorite characters were forced through some unfortunate plot lines. In fact, if you were to go aaaaaaall the way back, you’d see that a review of Mercy Kill was my very first contribution to Tosche Station and how I accidentally started writing for them. The X-Wing books have always been a lot more than that though. They were the basis of friendships, they were the foundation of many a sense of humor, and they brought of a heck of a lot of pure joy to people’s lives. The Wraiths though… well, let’s just say that the Wraiths have been so much more to me. Continue reading
There’s something magical that makes your heart stop when they first open the blast doors into the Star Wars and the Power of Costume Exhibition because you’ve just watched this neat little introduction video and then all of the sudden—there right there!—is the Queen Amidala Throne Room gown. It was smaller than it comes off on screen (probably because Natalie Portman is a lot smaller than me) and the lights on the bottom were understandably not lit up but there it was. I let out a little squeak and this was warning sign number—no wait, that’s a lie. Warning Sign #1 that I was going to be emotionally compromised was hearing about this exhibit and getting tickets for it. The chances of me not being at least somewhat embarrassing because of all my pretty costume emotions were nonexistent. (Look son, I know what I’m about.) Continue reading
Originally posted on Tumblr on October 16, 2013 as an unedited, stream-of-consciousness piece.
We meet again, Fandom, when it comes to talking about diversity.
The good news is that it’s not Star Wars that is the culprit/subject of this piece today but rather Agents of SHIELD. To be more specific, it’s some of the viewers and commenters. I’m not in the mood for flowery language today so we’ll cut right to the chase:
You do not get to decide who counts as white based purely upon what you think they are.
Since Agents of SHIELD started, plenty of people have been quick to note how white the show is with the exception of Ming-Na Wen as Agent Melinda May. While I am all for more diversity and for calling out shows when they lack it, there’s just one problem here: Agents of SHIELD stars two actresses of color.
I will be the first to admit that Joss Whedon has not been the best about casting a diverse mix of actors in his shows. Angel was slightly better than Buffy the Vampire Slayer with the inclusion of Gunn and Dollhouse had both Boyd and Sierra but they were all still overwhelmingly white casts. And let’s be honest: there’s really no excusing Firefly with its Chinese-American culture fusion and not a single Asian to be found amongst the main cast. So this is not me being a Whedon apologist.
Actress Chloe Bennet plays Skye, the hacker for Team Coulson. Bennet, despite what some people on the internet might think, is biracial as her father is Chinese and her mother is American/white. (She also had a singing career in Beijing which is pretty darn cool. That girl is incredibly accomplished for being only 21.) This does, in fact, make her a woman of color. For those keeping track, this means that a third of the main cast is comprised of Asian women. While I can grudgingly understand that not everyone looks at her and automatically recognizes that she is biracial, some of the comments that people have made when informed otherwise have been a bit unsettling. Many of them can be boiled down to “Well, she can pass for white so she doesn’t count towards the ~visual~ diversity of the cast.”
Originally posted at Tosche Station on July 2, 2013
Casting rumors have been flying around rampantly almost as long as we’ve known about the Sequel Trilogy and with the recently leaked Episode VII casting breakdown, it seemed like a good time to tackle an issue that’s been bothering me a lot lately: the lack of diversity in leading roles in the Star Wars galaxy when it comes to gender, race, and species.
The Star Wars galaxy is an incredibly diverse place. There is an in-numerous amount of different species in the galaxy far far away all living on hundreds upon hundreds of different planets. So why is it the default in Star Wars films and literature to (almost) always make the protagonist a white male?
Think I’m exaggerating? I recently completed a reread of 130 Expanded Universe books. Out of those 130, only 15 of those books had a leading character who was not a straight white man, excluding books that you could potentially argue are led by Skywalker women. Five of those books are the Republic/Imperial Command novels and I’m even including books like The Cestus Deception and The Approaching Storm which were co-led by aliens and (you guessed it) a straight white male. 15 out of 130. That’s about 12%. In a galaxy where I couldn’t even name all of the alien species if I tried? I haven’t sat down and looked at every single main book in the Expanded Universe but I reckon that number wouldn’t rise much above 15%. That’s pretty bad and unfortunately, the films don’t do any better.
Star Wars is an epic universe that is ripe with opportunity for diversity. This is science fiction we’re talking about here. To quote writer Jane Espenson, “And if we can’t write diversity into sci-fi, then what’s the point? You don’t create new worlds to give them all the same limits of the old ones.” If the vast majority of the named cast is white and mostly male, then the creators are failing at truly embracing the core tenants of what science fiction should be about. What really makes all of this jarring is when you watch the films (especially the Prequel Trilogy) and see the wide variety of species and races in the background. It’s not that the writers and the character designers and the special effects artists are lacking in imagination because clearly those characters and those ideas are there. So why haven’t we been seeing more Star Wars stories with more diversity in the forefront? Continue reading